Today something fascinating happened. I posted on my Facebook page a comparison of two photos, both of the same scene. One was subtly colorful with rays of sun and hope emerging from behind the city and a wall of fog. The other, gritty and monochrome with more contrast and detail, details of days gone by. My reason for posting the two side by side was simple: I wanted to see which one was preferred by those I share my work with.
Ultimately, an artist is “supposed” to pursue and create the pieces that they themselves would be most happy with, no matter if the artist themselves is the only one who likes or understands the piece. I’ve heard on more than one occasion that “pandering” to the crowd is the equivalent of selling out. I find this notion to be ridiculous. Sure I chase the photographs and projects that are fulfilling to me. However, it’s important, if not vital, to me to know what is important to my family, friends, fans, and followers (wow, do I hate the terms fans and followers so let’s just say you all are friends and family) to see in my work.
I’ve always been aware of the opinions and preferences of my friends, but never been aware of their influence, at least not beyond a subconscious level. Until today. When I posted this color versus monochrome fight to the death, I was fully confident that my black and white rendition of the Duquesne Incline in fog would emerge victorious in the first minute of the first round. This was my preference and thought it would be everyone else’s preference, whether they liked black and white photographs or not.
I was wrong. At the time of this writing the gritty, blue-collar-looking black and white photo is winning. But it’s a much closer match than I anticipated and it’s taught me two things: I certainly do not know everyone’s preference and that preference is meaningful to me. The more I read the comments, specifically from those folks who are Team Color, the more I find my eyes drifting to the color version better, and I’m not upset about it. How can this be when I was adamantly Team B&W? It’s simple: the opinions, values, preferences, or whatever the case may be of those that follow my work are important to me. And they always will be, or I’ll find myself with nobody to share my work with.
Please feel free to let me know in the comments which image you prefer. Thank you! 🙂
Not too long ago, some close friends of mine and I were having a conversation. Generally when we speak the conversation can quite literally go any which way and change directions in an instant. We talk about life, friends, elephant dung (don’t judge us but this is true), and everything in between. But since we are all full-time artists, it can be all but guaranteed that the state of art industry is going to pop up in any given conversation. This was no exception.
As we continued musing about the highs and lows, gripes, griefs, rewards, and inspirations behind our work, we stumbled upon a question: “What is your favorite (insert your own type of work here)?” Now this is a question I get ALL the time at shows. Folks walk in, take a look around, enjoy the work, pick out a favorite, then ask me, “What’s your favorite photograph, JP?” My answer is always immediately and unequivocally the same. I don’t have to say a word. I just point to Winter’s Light, which is always hanging…
This is the image that started it all for me. It’s not the image that launched my career in photography, per se, but it is the one that gained a little recognition and gave me the confidence to pursue a lifetime or creating images to share. It features lovely light, nice foreground interest, and the composition is good. It will likely always remain my favorite image I’ve ever taken. That is, until I heard the following.
When I asked my friend, Johno (of Johno’s Art Studio – check out his work here) what his favorite painting was, I was stunned by the simplicity and brilliance of his response. “My last one,” he said. My last one. It made perfect sense. His wife, Maria (of Maria’s Ideas – check out her work here) went on to explain, though the point hit home immediately. We should ALWAYS be learning and improving on past works and experiences and incorporating the lessons learned into our next piece. Simple yet brilliant.
I’d be lying, though, if I said that this revelation didn’t shake me to my core. I just stated how Winter’s Light is my all time favorite photo I’ve ever taken. Look at the watermark on it. It was taken in 2011. Clearly this is not my last photo. In fact, it was one of my first. Does that mean that I’ve not improved upon my photography process in the five years I’ve been taking photos? Of course not. This is simply a good photograph with a ton of sentimental value attached to it, so chances are it will still remain my favorite. But that doesn’t mean there are not things I would change. Not just with this photo, but every single photo I’ve ever taken. Everything can be better.
And that, my friends, is the entire point of this post. Never become complacent in your achievements. You can be happy about them, but unsatisfied with them. It’s okay to want more. It’s okay to be your own toughest critic. Every time I click the shutter I want that newest photo to be the best I’ve ever taken. This is obviously unrealistic, as I take my fair share of “clunkers,” but I believe having that mindset will allow me to continue to learn from past mistakes and build upon current successes.
It’s said that you shouldn’t stare directly into the sun because it can lead to permanent damage to your eyes. Since my eyes are literally how I make a living and provide for my family, I usually heed this advice, but only if the sun is unobstructed. If the sun is partially blocked, by say a bank of clouds, you get a beautiful array of light beams dancing gently in the sky making their way down to earth. Something so soft and beautiful couldn’t hurt, right?
Up until this past week I would have agreed. Now, I’m not so sure. But it’s not my eyes that I’m worried about. It’s my heart. I’ve heard before, and even said it myself (last night in fact), that those rays of light we see being filtered through the clouds are our loved ones watching over us. If that’s true, and I just might believe that it is, aren’t those very light beams also a reminder to us that our loved ones are no longer with us? Again, that’s true. That hurts. But the pain is temporary.
If you’ve ever witnessed the scene I’m describing, you know these wonderfully golden rays don’t last very long. They are beautiful. They are intense. They are also fleeting. And for me at this time, perhaps these beams are a most appropriate symbol for the friend – no, brother – I’ve recently lost. His life was beautiful. The impact he had on anyone he ever met was as positively intense as his immense size. And his life, fleeting – a seemingly brief moment, gone at the speed of light. But, unlike the heartache and the light, his impact will be everlasting.
Anyone that ever met him remembered him…and they were better for it. Good journey my brother, until we meet again. And we will meet again.
One of the most common themes I notice this time of year is that people DO NOT like the snow and ice. The reasons might vary, and to some degree, I agree. Most of us don’t like the seemingly inherent danger that follows the cold weather. Roads become treacherous if not treated properly or proactively, and if the snow (or ice) is significant enough, any amount of preparation and treatment may well end up being futile. It’s easy to see why this would be a reason to wish away the cold and relocate to Florida.
Living in Pittsburgh, where winter -and certainly snow – are not a new concept, it can be very easy to become annoyed with snow. If you look out your window and see falling snow, it’s almost a guarantee that you can jump on your Facebook Newsfeed and see no less than 37 memes and complaints about “people not not knowing how to drive” and “this is Pittsburgh, it’s snowed here before.”
You’ll also see even more dramatization about the amount of snow that’s going to fall and gripes about how the weatherman is NEVER right. I try to give the meteorologists the benefit of the doubt – they are trying to predict the future, after all – but I don’t think they do themselves any favors by naming every storm. And monikers such as “Snowzilla” and “Snowmageddon” don’t help, but I don’t believe those names come from the news stations. Regardless of where the names originate, Facebook certainly does not help contain Snowzilla’s icy breath from causing the next Snowmageddon. So, yes, Facebook drama queens and lousy traveling conditions allow me to sympathize with the winter haters.
My sympathies end there, though. My disdain, if you can even call it that, for winter does not begin or end with the cold, snow, and ice. It’s merely the other people that dislike it so much that they can do nothing but be bitter about it that causes me to sometimes, and only sometimes, wish the snow would melt.
In all actuality, I embrace the biting temperatures and the frozen stuff that falls from the sky. To me, there’s no beauty like looking out at a scene with a blanket of untouched, pristine snow. Walking along, listening to the subtle crunch of snow beneath my feet with my camera in tow…well that is euphoria for me and I forget about the cold.
I forget about the cold, that is, until the mercury busts through the bottom of the thermometer. Even when that happens, though, there’s a good chance you can find me playing near the banks of the rivers in the city. See, when it gets to be so cold that the rivers, mostly the Allegheny River, freeze I find the patterns, lines, and shapes make for amazing compositional elements in my photographs. This ice usually lasts more than a day also, and even though the it’s seemingly solid and static, the patterns are pretty dynamic which allows for unique photos with each visit, even if I stand in the exact same spot.
Usually, inclement weather is a detriment to my photos along the rivers because I almost always try to incorporate reflections for added interest. But if it’s windy and choppy, the reflections are nil and that can make for a dull subject and photograph. Frozen rivers, though, provide patterns, shapes, and lines that negate the need for a reflection. They serve as an interesting foreground and lead you right to the subject of the image. If the skyline is reflected in the ice or unfrozen patches of water, then that makes the image even stronger. Not needing calm waters expands the amount of “worthwhile” time I can spend on the shores and adds endless possibilities to what I can create. So I say bring on the snow and ice.
Now I’m not saying winter is a season without its drawbacks or that it doesn’t get unbearably cold out there. It does. It gets really, really cold. But I feel, when I’m not numb from head to toe, that after a freshly fallen snow, there’s too much beauty to be seen out there to stay inside. If I’ve yet to show you enough to convince you to take a winter excursion yourself, well the cause might be hopeless. So just cuddle up next to the fire with a nice glass of wine or mug of hot chocolate, and take a trip into the cold through my eyes. Let me show you what most choose not to experience. Let me freeze so you don’t have to.
As a 31 year old man, you would think my days of playing in puddles would be long behind me. You would be wrong. I probably play in the leftover rain more than most toddlers you know. So I guess that “man” word is not suitable for me. I suppose, in actuality, I am just a 31 year old kid. And I’m okay with that.
I’m okay with being a thirty-something man child because very near the beginning in my journey to becoming a photographer, it was playing in a puddle that taught me an invaluable lesson. That lesson was one about perspective and just how important it is for creating a compelling image. If you look at the photo above, my first puddle photo and aptly named “Puddles of Pittsburgh,” it’s pretty clear to see that the skyline of Pittsburgh is being reflected in a puddle. What’s not so clear is the collection of outtakes I snapped before I was able to get “THE” shot. Standing in front of the puddle just didn’t do the scene any just or convey the image I had in my mind. It wasn’t until I got down on all fours, and then eventually flat onto my belly, that I realized I could include a large portion of the buildings in the reflection, creating a much more dynamic and interesting photograph, simply by changing my positioning. I had discovered there is more to plopping a camera down, snapping a photo, and moving on to the next shot. Work the scene. Change positioning. Change up the perspective. Get creative. I had read many books, articles, and essays on composition…but it was that puddle that taught me this most important lesson.
…and as a bonus, here are some of my favorite puddle photos:
The end of the year brings about many things. Some people think about the year to come while others like to reflect upon their accomplishments and memories from the previous 12 months. I tend to fall in between the two, but this post is more geared towards the latter. Each year I like to review my portfolio and select my finest and most memorable photos, or ones that represent a particular achievement that I am proud of.
Below you will find the 10 images which I believe best represent my photographic journey in 2014. There were many highs and not too many lows. Whittling down the year into 10 images proved to be quite difficult actually. It is dominated by Pittsburgh photos, with 6, and for good reason – it’s accessible to me, it’s beautiful, and I enjoy it! But I do enjoy landscapes and traveling (perhaps even more so!) so you’ll see some of that too. Sadly, this is the second year in a row that I have no wildlife in my top ten so I think I’ll work on that for next year. But alas, enough words…let’s get on with the photos!
So there you have it – my favorite, best, most memorable photos of the year. It was certainly and awesome 12 months and I’m a big fan reflection, but at the same time I’m pretty pumped about the year ahead. I hope you’ll join me on my journey in 2015. Oh, and by the way, just in case you’re looking for more…scroll on just a bit for 10 MORE photos that were close, but didn’t make the cut for this year.
A lot of time while I’m out shooting, I take several exposures of the same scene. Well, actually, almost ALL the time I do this. I don’t just trip the shutter repeatedly, though, hoping that something changes and creates a meaningful impact that otherwise wasn’t visible in the previous exposure. Obviously there are variables I can’t control like weather or a stray airplane, animal, or pedestrian inevitably entering the frame. When that happens, I need to wait a moment for the extraneous element to leave and continue shooting. I try to concern myself with the variables I can change. Shutter speed, aperture, perspective, and the use of filters are just a few of the variables I employ regularly to add an extra element or bit of flare to an otherwise static scene. Most often a change in perspective provides the most dramatic boost to a photo, but you can achieve greatly different photos with simple change such as a longer exposure.
Take the photos above, for example. These two photos were taken roughly two minutes apart. The camera never moved from the tripod, the position remained 100% constant. The ONLY setting that changed with these photos was the shutter speed. Photo 1 was a 13 second exposure while Photo 2 was ten 13 second exposures stacked in camera to create a 130 second exposure. You’ll notice that in Photo 1, even though it is a long exposure, the fog is pretty well defined with a lot of mid tone contrast. There is a pretty clear delineation in the wall of fog moving into the city. It feels a bit ominous and foreboding. Photo 2, conversely, has a more smooth look to the wall of fog and the clouds above. The reflections in the river are also less defined. Overall the photo has a more pleasing mood to it, in my opinion at least. I’d like to know how you feel. Which photo do you like better? Please take the poll below and also please feel free to explain your pick in the comments!